Uncategorized – figment theatre group, nyc

JOIN THE SNAP IT BABY REVOLUTION with THE RADON DAUGHTERS! Four women explore life, love and art and re-define the archetypal bohemian modern woman and the artistic feminist revolution!

This experimental music theatre play written in 1984 by Bronwyn Rucker is now under the direction of Jason Ellis starring Evelyn Sullivan, Tatiana Grey*, Rachel Murdy*, Kate Ruby Klenfner, and Anna Foss Wilson*. See how 1984 leads us to 2016! Anything can happen…”and as President” …SNAP IT BABY! (Musical-experimental; abstract Feminist/Futurist)! (*AEA)

In 1984 Radon Daughters was produced by the experimental theatre company, Meltdown Performing Arts on the streets of Brooklyn and at Coney Island’s Sidewalks by the Seashore. Radon Daughters eventually developed into a pop opera by Bronwyn Rucker and Woody Regan and was performed in cabarets in Midtown and the Village. The music has been documented in a CD, Radon Daughters on Original Cast Records. The version presented in MITF is the original poetry and is the new beginning of this avant-garde adventure.

Another Meltdown production, John Cage Meets Sun Ra, was reissued in June by Modern Harmonic on LP and CD. This historic concert took place in Coney Island at Sideshows by the Seashore. It is truly terrific that these 1980’s revolutionary productions are finding great relevance today!

John Chatterton’s Midtown International Theatre Festival sets the gold standard for presenting new and exciting independent theatrical works in New York. This year – with a booming variety section, a prominently-placed Short Play Lab, a burgeoning Short Film Lab, nearly 60 productions – with a record number of musical presentations (including an opera) – as well as an astounding number of international works, the 17th Annual Midtown International Theatre Festival once again proves itself to be one of the best reasons to stay in New York in July!

RADON DAUGHTERS Performance Schedule:

Monday August 1, 6:00pm; Thursday August 4, 8:15pm; Saturday August 6, 1:00pm

Running Time: 60 minutes

At the Workshop’s Main Stage – 312 West 36TH Street, NYC

For ticket and additional info: http://www.midtownfestival.org

In one of our biggest projects to date, we had the honor of staging a new play for last year’s Nightmare Horror Halloween Festival. I wrote a one-act called Night of the Touching Zombies. Our production stood out amongst the bone-chilling fare of the festival, by not being particularly scary.

nots-screens.12b — Zombie Myron delights a fellow abomination (Evelyn Sullivan) with the gift of a pretty flower

Well, occasionally we would earn a legitimate shriek from some zombie-averse bystander, but ultimately we skewed more towards the ‘cute’ side of the cute-to-terrifying spectrum.

zombiesflipped — Skillz (Zach Seekins) is confronted with terrifying zombie snorgs

Here’s how it went: The play opens on the exterior of a small Ranch-style suburban house. The audience is immediately assaulted by a brigade of undead, and by my I-wish-I-was-John-Carpenter Night of the Touching Zombies Musical Theme

The shambling begins right away — Right away begins the shambling

From there, we follow the struggle for survival of a suburban couple, Barbara (Anna Doyle), and Myron (Owen Scott), after an unexpected zombie apocalypse.

Barbara (Anna Doyle) and Myron (Owen Scott), seconds before the collapse of their marriage — Barbara and Myron (on the right), seconds before their marriage collapses

Capable Barbara soon finds herself taking refuge in the nearby Rambler. The house belongs to a woman of questionable mental acuity, who will only identify herself as “Grandma”

Grandma wonders what will be in the sandwich tonight — Grandma tries to remember what she put in tonight’s sandwich

Soon, the two are joined by Grandson Ron (Anna Foss Wilson) and his son, Skillz (Zach Seekins).

Ron would be a Trump voter for sure — Ron would absolutely vote for Donald Trump

Self-assured Skillz gets his manners and outlook on life from the MOBA community — Self-assured Skillz gets his manners and outlook on life from MOBA chat (he is a psychopath)

Meanwhile, Myron is having a terrible time of things after accidentally turning himself into a zombie in the first scene.

Myron, pondering the hows and whys of love and relationships — Myron ponders the hows and whys of love and relationships

Ron ponders the hows and whys of brutally killing his family members

After tuning-in to a questionable emergency broadcast, the group resolves to stay indoors, and turn Grandma’s rambler into a fortress. But after only a few days of each other’s company, they all go quite mad.

Barbara wants answers and Skillz wants blood

Ron has clearly failed as a father — Ron may have actually failed as a father

Unhinged, Barbara finds her companions sociopathic tendencies contagious — Barbara eventually succumbs to sociopathic lunacy

I won’t spoil what happens but I can reveal that the play, predictably, ends in a maelstrom of Zombified chaos, and a funk/soul hip-hop mashup.

too late to run — Zombies bring the funk

We loved doing this show so much. Everybody was terrific in it. We ripped an old woman in half onstage.

Barbara and Ron lost Zombie Grandma's upper half in a tug-of-war with Skillz — Barbara and Ron lose Zombie Grandma’s upper half in a tug-of-war with Skillz

nots-screens7 — Half-Grandma (Alex Shepard) utilizes her bipedal palm-walk

We used cloth and paper as substitutes for liquid blood, and then splattered it all over the place.

Barbara loses it after unloading a full clip into her husband, who was only trying to apologize

We kicked zombies down an imaginary hill!

Zombies have no ability to defend themselves

We re-imagined a sequence from a 1987 hit romantic dance movie

"No one put zombie in corner"999 — “No one puts zombie in corner” – Kate Ruby Klenfner

All in all NoTZ was a phenomenal experience for us. Tim Haskell and Paul Smithyman, The Nightmare Horror Show team, were a joy to work with. The other shows in the festival were all extremely creative, artistically competent, and pretty scary!

We had some technical hurdles the first few nights. But the best part of this whole experience was that we had enough performances in the run for the cast to really get the hang of the show and hit an tremendous stride. Our ‘off’ nights were fun, and our ‘on’ nights were thrilling. We scared some kids, gave some people joy and made some great friends.

figment theatre group, nyc

Category: Uncategorized

Radon Daughters at MITF 2016

Night of the Touching Zombies production recap